Skip to main content

Great Horror Movie: La Residencia (Finishing School)

The Movie: La Residencia/aka Finishing School/aka The House That Screamed (1969)

Directed by: Narciso Ibanez Serrador.

Starring: Lilli Palmer as the Headmistress, Madame Fourneau; John Moulder-Brown as her son Luis; Cristina Galbo as Teresa, the new girl; and Mary Maude as Irene, the sadistic trustie.

A new girl, Teresa, shows up at a dreary French boarding school run by the authoritarian Madame Fourneau. Even during the first hours of her stay, things are weird - she keeps feeling like she's being watched. Things get no better when she finds out what the girls get up to in the woodshed with the delivery man, and has run-ins with the sadistic Irene, who operates the dark underbelly of the school. But soon girls are turning up missing, and there is a murderous madman on the loose. Will Teresa escape the school with her life?

At first I thought this was going to be an Italian exploitation film (boarding school girls! Sexual liaisons! Lesbian headmistresses! Murder!) and yeah, mostly I got it for the scantily-clad foreign girls (what? I'm human). Well, I was completely wrong...it wasn't Italian! Joke's on me!

But I digress...as the movie unfolded - and it does unfold - I began to realize that the titillation, though definitely up front, is no more than a misdirection. You're tricked by it into expecting some climactic girl-on-girl action as the tension ramps up, only to realize that, underneath this, the real tension of the story has been sneaking up on you. Who's the killer? Madame Fourneau? The sociopathic Irene? The creepy boiler-room guy? You might even figure out who it is halfway through the movie, only to be misdirected not once but twice, even three times. Nobody's motivations are clear, the film's point of view switches around masterfully, and at the end of it I found myself - much to my surprise - actually muttering "Don't stop! Look out! Keep going!" to the main character, knowing the killer was slowly gaining on her.

Now, I'm not much of a horror movie buff - I don't really have the stomach for gorefests, jump-scares annoy me, and torture-porn just makes me kind of sad and angry (La Residencia is pretty tame, despite the themes). But I know excellent storytelling when I see it. The pacing is near-perfect. The characters, though roughly-sketched, get their hooks into you quickly: you desperately want Teresa to get out, and you really, really hate Irene - until the end, when you end up rooting for her. It's a rare movie that can take an evil little bitch and turn her into the heroine.

And the ending...whew! Yes, you jaded horror buffs, I know you've seen it all before, blah blah blah; but the ending was seriously, satisfyingly creepy. Even if you chanced to figure out what was happening, it still leaves you with a sick smile. If only every horror movie could do that. La Residencia was, according to my (woefully inadequate) research, quite an influential film both in Europe and in the US.

I highly recommend this one: come for the boarding-school girls, stay for the tense, well-plotted thriller.

Rick Out!

Comments

Popular posts from this blog

The Problem with Reconstructing Deinonychus

So as you may know, I am partly obsessed with dinosaurs. Scratch that - there's a small lobe of my brain devoted to dinosaurs. I love em, God help me. I even have a super-double-plus-top-secret dinosaur comic maybe in the works...but you didn't hear it from me. Anywho... Part of my problem is in the reconstruction of said prehistoric beasties, namely those icons of American dino-obsession, Deinonychus ( Velociraptor  to you Jurassic Park  aficionados...it's not just a Hollywood bastardization, there's a complicated story behind it which I covered in this old post ). Now, we all know what Deinonychus looked like: wolf-size, sleek, toothsome head balanced by a long tail, grasping front claws and of course the eponymous "terrible claw" on its hind foot. The shape is burned into our collective unconscious; you could construct the most fantastic amalgam of different bits and pieces, but as long as you include the sickle-claw, you're golden. The devil, of

Artist Spotlight: Tom Eaton

I wanted to do a quick artist spotlight on Tom Eaton, best known for his work in Boy's Life Magazine. I used to have a subscription to Boy's Life  when I was a kid; unfortunately I didn't keep any of them, as they just weren't...I don't know, not really worth keeping. I just remember it as being 90% toy advertisements, some "how to get along with others" advice, the same camping article reprinted 20 million times, and some half-funny comics. As the years went on, the advertisements got bigger and louder, the articles became less interesting, and the comics section got shorter and shorter. But there was one gem hidden in the midst of the mediocrity: artist Tom Eaton. He wrote and illustrated "The Wacky Adventures of Pedro" ( BL's  burro mascot), "Dink & Duff", and myriad other comics, crossword puzzles, games, and short pieces. He was the magazine's resident cartoonist, and about the only reason I actually read the magazi

The Horrendous Space Kablooie!

Sorry, Bill Watterson, but I just couldn't resist using this one...all hail Calvin and Hobbes! This comic illustrates a point that confronts us when we attempt to speak about the titanic phenomena occurring in the universe every day. We can speak of a supernova exploding "with the force of x  megaton bombs", or a star that "could hold a million of our suns"...but ultimately all this is meaningless. When the standard unit of interstellar measurement, the light year, is about 8.7 x 10¹² miles, human language (and thus, comprehension) just sort of...blanks out. Here's a lovely example: I'm currently watching a JINA-CEE video about novas in parasitic binary star systems . Essentially, a small, dense star (such as a neutron star) will form an orbital relationship with a larger, less-dense giant. The denser of the two will start vacuuming material off its host, adding to its mass; however, because of its size, it compresses the material into its "