Skip to main content

My other new comic: "Aeolus".

The launch of Fight or Flight also coincides with the release of my new solo effort, Aeolus. This was planned (or just happened to end up as) a three-parter: Part I is due out this month, Part II hopefully by the beginning of February, and Part III is coming out whenever the hell it comes out, so don't rush me.

Yes, I know - your fearless blogger has, in previous posts, made the announcement that "Dark Corner Productions will get a comic out in December, so help us God!!!" And of course that has not happened.

Why?

Well, firstly, we - myself and the inimitable Joe Haines (everyone I know is inimitable) - are a couple of comic book moonlighters with little free capital. There's just no money, and there's just no time. Dark Corner Productions is currently hogtied by its artists' committments. As long as this continues to be the case, we can kiss any definite deadlines goodbye.

Secondly, I've experienced a change in philosophy. I used to be extremely gung-ho about deadlines, considering my previous experiences with comics and comic book artists/editors, but after my failure to produce a comic by December, I have to admit that my outlook has shifted somewhat. It is as if I went from being an idealistic young deadline-Nazi, screaming, "Ve must have ze comic now! Now! NOW!" to playing the grouchy old Irishman, growling, "It'll come out when it comes out, so bugger off" as I swill a giant tankard of beer. Personally, I like the old Irishman better - he gets to drink more - and that deadline-Nazi was a bit of a prick.

Thirdly, I've realized that I'm not Superman - I can't finish a comic in a week and have it look really, really good. I mean, I can finish a ten-pager in a week, but it's more of an ego thing, and anyway my line quality starts to suffer around page six. No - if you want quality, you have to be willing to invest the time. My plots, I think, are definitely starting to improve.

Fourthly, and lastly, I've gotten over my prejudice against producing series. Back when I thought Dark Corner Productions was going to be an anthology comic (much like Comics Obscura, God rest its poor soul), my motto was, "icks-nay on the eries-say", as I thought it would be difficult to follow a multi-issue storyline when there were several stories involved; most readers like one or two artists, and are thus less than enthused when they have to purchase a slew of stories they don't read (A drag-net analogy might be useful here - bringing up the starfish with the sardines, etc). Once I realized that Dark Corner Productions would not be an anthology, however, it became clear that my anti-series hangup was more curmudgeonly than practical; I just didn't want to do the work. A series guarantees sales, as people who like the first part of the story will have to buy the next one and the next one to get the whole thing.

Once I finally admitted that to myself, I stopped trying to cram all of Aeolus into one twenty-page issue. Paring it down to ten pages over three issues is more economical (as the printings should coincide with my paychecks), and the story doesn't suffer from enforced brevity.

At any rate, those are some of my reasons. Yes, I know, things haven't worked out the way they really should have, but believe me - they are working out. I will have Aeolus Part I out this month.

Rick Out.

Comments

Popular posts from this blog

The Problem with Reconstructing Deinonychus

So as you may know, I am partly obsessed with dinosaurs. Scratch that - there's a small lobe of my brain devoted to dinosaurs. I love em, God help me. I even have a super-double-plus-top-secret dinosaur comic maybe in the works...but you didn't hear it from me. Anywho... Part of my problem is in the reconstruction of said prehistoric beasties, namely those icons of American dino-obsession, Deinonychus ( Velociraptor  to you Jurassic Park  aficionados...it's not just a Hollywood bastardization, there's a complicated story behind it which I covered in this old post ). Now, we all know what Deinonychus looked like: wolf-size, sleek, toothsome head balanced by a long tail, grasping front claws and of course the eponymous "terrible claw" on its hind foot. The shape is burned into our collective unconscious; you could construct the most fantastic amalgam of different bits and pieces, but as long as you include the sickle-claw, you're golden. The devil, of...

Artist Spotlight: Tom Eaton

I wanted to do a quick artist spotlight on Tom Eaton, best known for his work in Boy's Life Magazine. I used to have a subscription to Boy's Life  when I was a kid; unfortunately I didn't keep any of them, as they just weren't...I don't know, not really worth keeping. I just remember it as being 90% toy advertisements, some "how to get along with others" advice, the same camping article reprinted 20 million times, and some half-funny comics. As the years went on, the advertisements got bigger and louder, the articles became less interesting, and the comics section got shorter and shorter. But there was one gem hidden in the midst of the mediocrity: artist Tom Eaton. He wrote and illustrated "The Wacky Adventures of Pedro" ( BL's  burro mascot), "Dink & Duff", and myriad other comics, crossword puzzles, games, and short pieces. He was the magazine's resident cartoonist, and about the only reason I actually read the magazi...

Raptors II: I might owe Luis V. Rey an apology...

Hello, patient readers. I've blogged about Raptors before, specifically Deinonychus and the problems of depicting dinosaurs in general. In an earlier post, I was wrestling with the then newly-popular preponderance of plumage on our favorite Terrible Lizards, and while I finally conceded that Deinonychus and Co. were probably fully feathered, I whined and hemmed about the amount of feathers and griped about how dinosaur lineages with no evidence for feathers at all were now being given fabulous coats. In the midst of this, I decried the new crop of bad paleo-art, using this image as my piéce de resistance: Credit: Luis V. Rey, from his blog . Essentially my big scientific argument ran along the lines of, "Looks dumb, therefore wrong". It seems now that I might have to eat that argument, slathered in Nelson Muntz' Gourmet Ha-Ha Sauce ...with one important caveat, which I'll get to later. Since writing that blog post - in fact, several years later - I'...